R
Love letter to LA wrapped as stoner comedy. As David Lynch said:
"I make movies cause I have a good taste in music and I want to share it."
**Working Man by RUSH**
North Beverly Hills home, big and old school. Three car garage in front.
Garage gate opens in the beat.
Porsche is driving out.
Intro titles on the views of Beverly Hills suburbs and boulevard. A lot of robotic stuff driving around. Homeless people driving their carts and just walking.
ROBERT SHELLY drives his Golden Porshe with one hand in Beverly Hills Suburbs. He is a Hollywood writer and director in his 40s. Wearing bluish bathrobe and yellow aviators. Losing hair just a bit.
Car POV. Hand drumming on the wheel.
Robert is in the middle of conversation with Quentin Tarantino on the speaker.
QUENTIN (V.O.)
I dunno man. From what you are describing, the movie sounds like shit.
ROBERT
You just don't get it.
You think it is too abstract?
QUENTIN (V.O.)
It's not too abstract, it's just
shit, man.
ROBERT
It's conceptual. It has the depth.
It gives you something to think about.
QUENTIN (V.O.)
It's fucking boring, Robert!
A movie should be fun, man!
Add some violence! Add some ass!
Give people something to feel!
ROBERT
You just can't appreciate
a conceptual film.
QUENTIN (V.O.)
Conceptual my ass, man.
I say what I think.
And what I think is it not gonna sell tickets man.
ROBERT
I don't care about the tickets, it is about the idea.
QUENTIN (V.O.)
Idea is not gonna fill your Royce, Bob.
ROBERT
My wife drives Royce. I have a Porsche.
ALEX (26, mid length brown hair metalhead, skinny, resting bitch face) comes out of a 7-Eleven with a coffee cup.
Wearing Ray-Ban Wayfarer, wired apple earphones. Black t-shirt with "Deathspell Omega" written on it in gothic font, Paracletus album cover printed on it. Casio watch worn inside wrist.
HOMELESS
(shaking a cup)
Spare change?
Alex shakes his head in NO sign not stopping.